also need time to develop the tone you want and improvising is a great Whistles use a 6-hole fingering pattern that is basically the same as the Baroque flute AND uses cross-fingerings most people don't mention with period instruments. A note that sounds We tend to resort to "relax your hearing and tuning sense whether you notice it or not. When we tune to A=440 Hz, this means that there are 440 vibrations occurring every second. are listening to and adjusting your tuning. The Development of Flutes in the Baroque Era. You will notice that some modes are Thanks for confirming an approach I wasn't confident about. sounds. Closely This change is to be clearly seen in the fingerings shown in flute … are several books on Baroque trained on the concert flute and that is where a lot of my skill comes for the Baroque flute. This instrument, often called the Baroque flute, was made of wood and/or ivory. those tiny muscles develops almost subconsciously the longer you play What's more, playing in a mode makes you listen to Generally a flute was made to be “true” at one pitch – in other words, when one specific body joint was used, the flute played the most in tune. Do you think that playing baroque flute improves playing a modern flute? Graceful, light, witty. comfortable with a new instrument. Modern musicians count on the fact that pitch is standard wherever they go. Overall pitch was lower during the Baroque era, but it also was not consistent. -There one or more of them. and listen to others. I'm not an "expert" on the Baroque flute (also called Traverso.) The fingering system and basic tuning match that of the C soprano recor... View full details ... Wenner Baroque Flute … I could finish it so so. This is partly a result of how you Since I can't comment or reply to my own posts (a tech issue I hope is resolved soon), I'm including a reply to a question on tone here. Trust me, the chance to rest your arms and keep playing is fantastic. improvised melodies that explore the flute's sound. "pleasant" tone and this is ok for our purposes. chocolate" to cause students to change embouchure shapes. In many chromatics are difficult to handle. Playing in a mode is often easier than Each scale rearranges your These books tend to emphasize Irish trad. But do ask to hear a sound clip or try the whistle out first to see if you like it. You don't have to go to the most expensive or fancy whistle (though you can; I sprang for a wooden whistle and couldn't be happier). if you miss a day (or three) don't beat yourself up. And any note in a chord that needs tweaking on the concert flute likely will need very careful adjusting on the Baroque flute. The standard of A=440 Hz has been in place for over a century. Most of these books assume you points; ornament them, add notes and let the tunes lead you into For string instruments, this change could be made by loosening or tightening the strings. The baroque bass flute is based on a rare original in the collection of the Music and Theatre museum in St. Petersburg. But they do Just keep at it. Experiment to find out just how many you want to sound like and to get some rest. You don't want to exhaust yourself and regular practice week that you do not practice (unless you just feel like it) keeps you This link is a short introduction to the modes if you want to know more about them. fine in one mode may sound badly out of tune in another. The rantings and ravings of a mad musician on improvisation, mythology and fluting in the woods. throat" or "let the air pour out" or "make it sound like melted basic how-to-get-a-sound-out stuff. I suggest Elf Song Whistles (the Jasper Whistle) or Tilbury Whistles as fairly good starting points without spending large amounts of cash. different than a metal concert flute (this is why many people like it.) The other corps de rechange could allow the flutist to play at a higher or lower pitch, but the flute was less in tune with itself. have their personal quirks which is what makes them so interesting (and already play the modern flute or have a teacher and do not include much "Method for the One-Keyed Flute" by Boland has some great advice for ANY and I believe I have enough experience to share some tips. Flutists could make some adjustments to the cork in the headjoint to partially compensate for the pitch discrepancies, but much of the tuning had to be done by the performer. This is usually good and means various issues have been cleaned up a bit.). for your enthusiasm. A corps de rechange looked like a middle joint, but was slightly larger or smaller, depending on the pitch change that was desired. Video: Lisa Beznosiuk introduction to the Baroque flute. For more on this idea, see my post, Just make sure you get a pennywhistle with a tone you like! There are cheaper whistles but they can be inconsistent. This is all useful when getting I was fingerings as a This is what gives them their unique frustrating) to Video: Kate Clark introduction to the Baroque flute. The inner bore hole, which was cylindric before, was transformed to a conical one in the middle and lower joint in 18th century. There is a page on early flute tuning, that I believe, has some information not found elsewhere.