Eric Gill's interest in the art of non-European cultures developed before the 1920s, largely through the influence of the philosopher and theologian Ananda Coomaraswamy. Eve was used as an illustration in the Engravings of Eric Gill, with a preface by the artist, printed by the Fanfare Press, London and published by Douglas Cleverdon, Bristol in 1929. Eric Gill wood engraving printed on hand made fine japon paper. [Go to accessibility information]. In all Gill made some 280 blocks and plates mainly for a dozen books. Roe and Moore
Here, he explores the relationship between the sacred and the profane, drawing in particular on forms from traditional Indian sculpture. A registered charity: 209131 (England and Wales) SC037733 (Scotland). Gill war das zweite von dreizehn Kindern seiner Eltern. In good perfect condition. £95.00, GILL, Eric Eric Gill ‘Peter and the Cock’ Carved bathstone, originally partly painted. Plate size 100 x 65 mm (4 x 2.5 inches) London
Provenance: Residue of the Golden Cockerel collection. SE3 7LN 20751, Lot 212. Gill’s carving technique directly influenced the work of Jacob Epstein (who learnt about the method from Gill during 1910-11), and indirectly that of Henri Gaudier-Breska, Frank Dobson, Barbara Hepworth and Henry Moore. £145.00, GILL, Eric Eric Gill woodengraving ‘The Temptation’. Eric Gill's interest in the art of non-European cultures emerged around 1910, when along with contemporaries such as Frank Dobson he began to question classical standards of beauty. The usual method in the early 20th century was first to model the figure in clay, then to have the model cast in plaster, and finally to employ a technician to achieve the full-scale sculpture by means of measuring and pointing machines. [Skip to content] be added to our mailing list, Eric Gill ‘Naked Girl lying on Grass’ Initialled. EXPOSICION DE ARTE BRITANICO CONTEMPORANEO, Japan, Kanagawa, Kanagawa Prefectural Museum, Malaysia, Kuala Lumpur, National Art Gallery, India, Calcutta, Centre Of International Modern Art, India, Chandigarh, The Government Museum And Art Gallery, Sri Lanka, Colombo, British Council Office - Colombo, Sri Lanka, Kanda, British Council Office - Kanda, Australia, Newcastle, Newcastle Region Art Gallery, Zimbabwe, Bulawayo, National Gallery Of Zimbabwe In Bulawayo, Zimbabwe, Harare, National Gallery Of Zimbabwe, Kenya, Kisumu, British Council Office - Kisumu, Kenya, Mombassa, British Council Office - Mombassa, Kenya, Nairobi, British Council Office - Nairobi, Brazil, Sao Paulo, Departamento Municipal de Cultura, Uruguay, Montevideo, Subterraneo Municipal, Canada, QuÃ©bec, Art Association Of Montreal, Canada, Ottawa, Ontario, National Gallery Of Canada, USA, New York, British Pavilion World's Fair. In 1908 Coomaraswamy's lecture on Indian Art made a deep impression on Gill. ‘Eve’ was created in 1929 by Eric Gill in Art Deco style. Private Research firstname.lastname@example.org, Please fill in your details Designed as an ex-libris plate for Jacob Weiss it is also titled ‘Eve in the Garden‘. Eric Gill woodengraving ‘The Temptation’. Designed as an ex-libris plate for Jacob Weiss it is also titled ‘Eve in the Garden‘. £85.00, Deana Moore and Anthony Roe
-- A similar return to the direct hand carving of stone was being pioneered simultaneously in France by the Romanian sculptor Constantin Brancusi. Height: 737 mm, Width: 152 mm, Depth: 152 mm, Eric Gill's interest in the art of non-European cultures emerged around 1910, when along with contemporaries such as Frank Dobson he began to question classical standards of beauty.