The altarpiece was designed for the church of the hospital of Santa Maria Nuova, and this setting is reflected in its iconography. Just as he reached the pinnacle of his artistic career, van der Goes made a sudden and shocking decision. Try to remember if these famous names were painters or architects. The Portinari Altarpiece or Portinari Triptych (c. 1475) is an oil on wood triptych painting by the Flemish painter Hugo van der Goes representing the Adoration of the Shepherds. In the foreground sit bunches of flowers held in very specific containers. Hugo van der Goes is widely regarded as one of the most unique talents of early Flemish art. In 1468 the artist was commissioned by the city of Ghent to execute some works in connection with the grant of the Great Indulgence of the city. flamand festő és grafikus, a korai németalföldi festészet vezető mestere. Omissions? This article was most recently revised and updated by,, Web Gallery of Art - Biography of Hugo van der Goes, Flemish Primitives - Biography of Hugo van der Goes, Art Encyclopedia - Biography of Hugo van der Goes, Hugo van der Goes - Student Encyclopedia (Ages 11 and up). His hands are together in a gesture of prayer or supplication, as … Sadly, van der Goes died shortly after returning to the monastery, leaving several works incomplete. These innovations had the effect of making the Portinari Altarpiece a unique and spectacular masterpiece. Of all the late fifteenth century Flemish artworks, this painting is said to be the most studied. Their expressions are animated but not dramatic, combining the calm atmosphere traditionally evoked in Flemish art with the increasing concern for emotion and experience that came with the rising tide of Humanism. He closed down his workshop in Ghent to join a monastery near modern-day Brussels. One involved traveling to the town of Bruges to oversee the decorations for the wedding of Charles the Bold and Margaret of York. Hugo van der Goes, (born c. 1440—died 1482, Roode Kloster, near Brussels [now in Belgium]), one of the greatest Flemish painters of the second half of the 15th century, whose strange, melancholy genius found expression in religious works of profound but often disturbing spirituality. Hugo van der Goes (probably Ghent c. 1430/1440 – Auderghem 1482) was one of the most significant and original Early Netherlandish painters of the late 15th century. At the monastery, he was allowed to continue working on commissions and was even granted the privilege of drinking red wine. Our editors will review what you’ve submitted and determine whether to revise the article. The artist and his workshop worked on commissions of the city of Ghent to provide heraldic decorations for Charles the Bold's Joyous Entry in Ghent in 1469 and later in 1472. Her first translation is due to be published next year. Alexander Bening married Catherina van der Goes, a cousin of Hugo van der Goes, in 1480. Just as important as his devotional paintings were his portraits. Van der Goes was an important painter of altarpieces as well as portraits. The Portinari Altarpiece, c1477-1478, via The Uffizi Gallery. Mia is a contributing writer from London, with a passion for literature and history. Almost always set against a plain background, his figures stand out and draw the viewer’s attention. Let us know if you have suggestions to improve this article (requires login). In the late 15th century Hugo van der Goes was one of the leading Early Netherlandish painters, ranking alongside renowned artists such as Jan van Eyck, Rogier van der Weyden, Hans Memling and Gerard David. Black Friday Sale! The second masterpiece had been commissioned by the wealthy Italian banker, Tommaso Portinari, and was destined to arrive in Florence in the early 1480s. Hugo van der Goes (Gent, 1440. körül — Brüsszel, 1482.) Hugo van der Goes (probably Ghent c. 1430/1440 – Auderghem 1482) was one of the most significant and original Early Netherlandish painters of the late 15th century. It was during this period that Hugo van der Goes painted the Adoration of the Magi (also known as the Monforte Altarpiece (Gemäldegalerie, Berlin)) and worked on the commission of Tommaso Portinari for the Portinari Altarpiece (Uffizi, Florence), which arrived at its destination in Florence only in 1483, when the artist had already died. The ukiyo-e art movement started in the 17th century and peaked in 18th and 19th century Edo, current-day Tokyo. The Death of the Virgin, circa 1470-1480, via RijksMuseum Amsterdam. His companions hurriedly brought him back to the monastery, but his sickness continued. Panel from The Trinity Altarpiece, 1478-1478, via National Galleries Scotland.